A Briefing

Will Dailey is an acclaimed independent recording and performing artist. His sound has been described as having a rich vintage vibe while having a firm appreciation of AM rock, pop and big hooks leading famed Rock journalist Dan Aquilante to call him “the real deal”. 

He has shared the stage and studio with Eddie Vedder, T Bone Burnett, Tanya Donelly, Willie Nelson, Roger McGuinn, G Love, Ryan Bingham and Kay Hanley. 

"Dailey’s latest album makes it clear that good songwriting isn’t a matter of hiding behind shiny production or an over-stylized persona. His music doesn’t contain a note of pretense. If anything, it is committed to the beauty of simplicity. National Throat is a statement about the value of creativity and the survival of art. Dailey believes the truth will find its way out, that what is real and beautiful will rise to the top." - Jon Karr, New York Minute Magazine, May 2015

Dailey's album, National Throat, has been met with stellar reviews, over 8 million spins on Spotify, top 20 on Billboard Heat Seeker chart and won Album of the Year in the Boston Music Awards, New England Music Awards and Improper Bostonian Magazine.

Dailey, who is already a three-time winner of the Boston Music Award for Best Singer/Songwriter also won Artist of the Year in 2014. 

AWARDS
 

Male Vocalist of the Year - 2016 Boston Music Awards
Male Vocalist of the Year - 2015 Boston Music Awards 
Album of the Year - 2015 New England Music Awards 
Song of the Year - 2015 New England Music Awards
Artist of the Year - 2014 Boston Music Awards 
Album of the Year - 2014 Boston Music Awards 
Album of the Year - 2014 Improper Bostonian Magazine 
Singer Songwriter of the Year - 2012 Boston Music Awards 
Album of the Year - 2011 Improper Bostonian Magazine

Most recently in 2016 he shared the stage with Eddie Vedder in Chicago this summer, joining him for 5 songs for the Hot Stove Cool Music Benefit and was direct support for G Love’s summer tour. In June of 2013 he was featured on a Stephen King/John Mellencamp project produced by T Bone Burnett called Ghost Brothers Of Darkland County and, in that same year, also released an original song he wrote inspired by Jack Kerouac's Tristessa.

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In September of 2013 he played his fourth Farm Aid Concert along side Neil Young, Willie Nelson, Dave Matthews and John Mellencamp.

Dailey's music has been featured on over 50 TV programs and films and is now back in the studio recording some exclusive material for fans. Dailey has become an artist to watch not just now but indefinitely.
Dailey’s latest album makes it clear that good songwriting isn’t a matter of hiding behind shiny production or an over-stylized persona. His music doesn’t contain a note of pretense. If anything, it is committed to the beauty of simplicity. National Throat is a statement about the value of creativity and the survival of art. Dailey believes the truth will find its way out, that what is real and beautiful will rise to the top.”

— Jon Karr, New York Minute Magazine, May 2015

Dailey has a natural charisma, particularly as a vocalist, and much of “National Throat” gives him room to simply emote. While the music plies a spare sensuality, he’s in full Technicolor mode, from brash (the full-throttle rocker “World Go Round”) and soulful (the horn-stoked “Why Do I”) to exuberant (the big singalong “We Will Always Be a Band”) and tender (the dusky, banjo-driven ballad “Higher Education”). This is Dailey at his most self-possessed, a clear and confident musician who doesn’t need a big label or a big budget to put across his charms.”

— James Reed, Boston Globe, September 2014

Will Dailey's pop smarts, his dedication to detail, and his soul-inflected voice are just what we need right now to restore belief in music. His new songs are personal epiphanies with a universal appeal. Frankly, it will take a forklift to get his new album National Throat off of my Top 10 list for 2014.”

— Steve Morse, Rock Critic, March 2014

The album continues into a variety of emotions, as Dailey recounts epic nights on the town in uptempo moments, while also cascading down into the slower songs that reveal his inner workings. As most fans will agree, music is best when it’s most vulnerable, and National Throat is a prime example of this.”

— Weston Shephard, Veriance Magazine, November 2014

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